David Lloyd Blackwood
(1941 - 2022) OSA, RCA, Order of Canada
Previously Sold Works
DAVID LLOYD BLACKWOOD
Lost Party at Sea
etching, aquatint
signed, titled and inscribed “Artist’s Proof” in the lower margin; unframed
19.75 x 22 ins ( 50.2 x 55.9 cms ) ( plate size )
DAVID LLOYD BLACKWOOD
The Survivor
etching and aquatint
signed, titled, dated 1968 and inscribed “Artist’s Proof” in the lower margin; unframed (matted)
16 x 20 ins ( 40.6 x 50.8 cms ) ( plate size )
DAVID LLOYD BLACKWOOD
Great Lost Party Adrift
etching and aquatint
signed, titled, dated 1965 and inscribed “Artist’s Proof” in the lower margin; unframed (matted)
10 x 20 ins ( 25.4 x 50.8 cms ) ( plate size )
DAVID LLOYD BLACKWOOD
March: Glover's Place on Bragg's Island
colour etching and aquatint
signed, titled, dated 2007 and numbered “15/50” in the lower margin; unframed
15 x 36 ins ( 38.1 x 91.4 cms ) ( sheet )
DAVID LLOYD BLACKWOOD
Wedding at Bragg’s Island
etching, aquatint in colours
signed, titled, dated 1973 and numbered Artist’s Proof in the lower margin
19.5 x 31.5 ins ( 49.5 x 80 cms ) ( plate size )
DAVID LLOYD BLACKWOOD
Down on the Labrador: Towing the Nickerson
etching and aquatint in colours
signed, titled, dated 2004 and numbered “60/75” in the lower margin
24 x 35.5 ins ( 61 x 90.2 cms ) ( plate size )
DAVID LLOYD BLACKWOOD
Gram Glover’s House on Bragg’s Island
etching, aquatint in colours
signed, titled, dated 1982, and numbered 7/50 in the lower margin
5 x 8 ins ( 12.7 x 20.3 cms ) ( sight )
DAVID LLOYD BLACKWOOD
Sealer’s Dream
etching and aquatint
signed, titled, dated 1968 and inscribed “Artist’s Proof” in the lower margin; unframed (matted)
20 x 16 ins ( 50.8 x 40.6 cms ) ( plate size )
DAVID LLOYD BLACKWOOD
Captain Noah Bishop's Visitation at the Icefields
etching, aquatint in colours
signed, titled, dated 1979 and numbered 29/50 in the lower margin
16 x 19.75 ins ( 40.6 x 50.2 cms ) ( plate size )
DAVID LLOYD BLACKWOOD
Mummer Group from Pound Cove
etching, aquatint in colours
signed, titled, dated 1976 and inscribed “artists proof” in the lower margin
8.5 x 10 ins ( 21.6 x 25.4 cms ) ( plate size )
DAVID LLOYD BLACKWOOD
April Iceberg off Bragg’s Island
etching, aquatint in colours
signed, titled, dated 1976 and inscribed “artists proof” in the lower margin
19.75 x 31.75 ins ( 50.2 x 80.6 cms ) ( plate size )
DAVID LLOYD BLACKWOOD
His Father Dreams II: Labrador Days
etching, aquatint in colours
signed, titled, dated 1988 and numbered 53/75 in the lower margin
15 x 35.5 ins ( 38.1 x 90.2 cms ) ( plate size )
DAVID LLOYD BLACKWOOD
Wreck off Bragg’s Island
etching, aquatint
signed, titled, dated 1967 and numbered 2/20 in the lower margin
20 x 29.75 ins ( 50.8 x 75.6 cms ) ( plate size )
DAVID LLOYD BLACKWOOD
Regale Lillies
monotype print in colours
signed and dated 1988 lower right; titled and dated on the gallery label on the reverse
20 x 16 ins ( 50.8 x 40.6 cms ) ( image )
DAVID LLOYD BLACKWOOD
Captain Wes Kean on the Bridge of the S.S. Newfoundland
etching and aquatint in colours
signed, titled, dated 1969 and numbered “artist’s proof” in the lower margin
15.75 x 19.75 ins ( 40 x 50.2 cms ) ( plate size )
Consignments
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David Blackwood Biography
(1941 - 2022) OSA, RCA, Order of Canada
Born in Wesleyville, Bonavista Bay, Newfoundland, one of the major sealing towns of that province, he is a descendant of a long line of master mariners. Blackwood was awarded a Government of Newfoundland Centennial scholarship to study at the Ontario College of Art in Toronto under Carl Schaefer, John Alfsen, H.W.G. MacDonald and Frederick Hagan. He went on to become Art Master at Trinity College School in Port Hope, Ontario. In 1969, Blackwood became the first artist-in-residence at Erindale College, University of Toronto, Mississauga.
David Blackwood uses his background on the East coast of Canada to create grande visual narratives reflecting both the landscape and culture of the province with an emphasis on combining the history, legends, and myths of settlement and developing culture of Newfoundland. He is best-known for his colour etchings with aquatint. His work was used to provide illustrations for Farley Mowat’s “Wake of the Great Sealers”, a collection of stories about the heroic Newfoundlanders who braved the icy seas of the treacherous North Atlantic in search of seals. Driven by hard times at home it was the only hope many of the men had of making money to feed their families. Men perished when their ships went down during wintry gales. Blackwood, a native of a sealing town himself, and a descendent of fishing skippers and sealing captains, provides Mowat’s stirring text with equally stirring and poetic figurative drawings and prints.
Blackwood was awarded the Order of Canada in 1993 in recognition of his work contributing to and preserving the cultural life and heritage of Canada through his artwork. At the Art Gallery of Ontario, the Blackwood Research Centre within the Morin Gelber Print and Drawing Centre was created after a major acquisition of the artists works in 2000. The museum also elected Blackwood as its honourary Chairman in 2003, the first practicing artist to hold this position. In the same year, he was awarded the Order of Ontario.
As one of Canada's most celebrated print-makers, David Blackwood's works are part of significant Canadian and international private and corporate collections including The Royal Collection, Windsor Castle, the Uffizi Gallery, Florence, the Art Gallery of Ontario and the National Gallery of Canada.
Sources: "A Dictionary of Canadian Artists, Volume I: A-F", compiled by Colin S. MacDonald, Canadian Paperbacks Publishing Ltd, Ottawa, 1977
