David Brown Milne
(1882 - 1953) Canadian Group of Painters
Previously Sold Works
DAVID BROWN MILNE
Burch's Store, 1916
watercolour
titled on a label on the reverse; catalogue raisonné no. 107.28
11 x 15 in ( 27.9 x 38.1 cm ) ( sheet )
Auction Estimate: $20,000.00 - $30,000.00
Price Realized $33,600.00
Sale date: November 27th 2024
DAVID BROWN MILNE
Building the Porch III, 1922-23
watercolour
signed, dated “Oct 22-Feb 23” and inscribed “AP 22” lower right; catalogue raisonné no. 204.112
14.5 x 21 ins ( 36.8 x 53.3 cms ) ( sight )
Auction Estimate: $25,000.00 - $35,000.00
Price Realized $31,200.00
Sale date: June 8th 2023
DAVID BROWN MILNE
Twigs in Winter, 1937
oil on canvas
signed and dated 1937 upper right; catalogue raisonné no. 305.6
12.25 x 14.5 in ( 31.1 x 36.8 cm )
Auction Estimate: $30,000.00 - $50,000.00
Price Realized $31,200.00
Sale date: November 27th 2024
DAVID BROWN MILNE
Blue Bay, 1952
watercolour on paper
titled and dated “February 1952” on the reverse; catalogue raisonné no. 503.36
14.5 x 21.5 in ( 36.8 x 54.6 cm ) ( sheet )
Auction Estimate: $15,000.00 - $20,000.00
Price Realized $26,400.00
Sale date: November 27th 2024
DAVID BROWN MILNE
Painting Place (Hilltop)
drypoint, printed in colours
signed in the lower margin; unframed
4.75 x 6.75 ins ( 12.1 x 17.1 cms ) ( subject )
Auction Estimate: $1,000.00 - $1,500.00
Price Realized $1,440.00
Sale date: June 1st 2016
DAVID BROWN MILNE
Under the Porch
oil on canvas
signed and dated “Sept 13, 1927” upper right; titled and dated “Sept. 13, 1927” on the reverse; Milne catalogue raisonné no. 207.98
12 x 16.25 ins ( 30.5 x 41.3 cms ) ( support )
Auction Estimate: $60,000.00 - $80,000.00
Price Realized $60,000.00
Sale date: December 1st 2022
DAVID BROWN MILNE
Barns (Cancelled Plate)
drypoint
a soft x through the central subject matter; unframed
10 x 11 ins ( 25.4 x 27.9 cms ) ( sheet )
DAVID BROWN MILNE
Painting Place
drypoint etching
signed in lower left margin
4.75 x 6.75 ins ( 12.1 x 17.1 cms ) ( subject )
DAVID BROWN MILNE
Painting Place (Colophon Edition)
colour drypoint on paper
signed in the lower left margin
4.75 x 6.75 ins ( 12.1 x 17.1 cms ) ( plate size )
DAVID BROWN MILNE
Painting Place (Hilltop)
drypoint etching
signed in the lower left margin
4.75 x 6.75 ins ( 12.1 x 17.1 cms )
DAVID BROWN MILNE
Painting Place (Hilltop)
drypoint etching
signed in the lower left margin
4.75 x 6.75 ins ( 12.1 x 17.1 cms ) ( plate size )
DAVID BROWN MILNE
Boston Corners
sampson matthews silkscreen
unsigned; printed inscription 'Painted by David Milne, issued by the National Gallery of Canada, Boston Corners' in lower margin; unframed
19.75 x 26.75 ins ( 50.2 x 67.9 cms )
DAVID BROWN MILNE
Maple Leaves in Autumn
colour silkscreen
Markgraf reproduction embossed stamp lower left; unframed
26 x 31 ins ( 66 x 78.7 cms ) ( sheet )
DAVID BROWN MILNE
Painting Place (Hilltop) within The Colophon
drypoint etching, printed in colours
This work is contained in The Colophon: A Book Collectors' Quarterly, Part V, Colophon Ltd., Edited by Elmer Adler, Burton Emmett, and John T. Winterich, New York, 1931; signed within the margin, bound within
10.5 x 8.5 ins ( 26.7 x 21.6 cms ) ( sheet )
Consignments
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David Milne Biography
(1882 - 1953) Canadian Group of Painters
Milne was born near Paisley, Ontario. A childhood interest in art, which revived while he was teaching, led him to take a correspondence course and eventually he travelled to New York City to continue his studies. This was somewhat of an exception in the early twentieth-century Canadian art scene as the majority of artists went to Europe to study. While in New York City, Milne worked as a commercial illustrator for several years before deciding to give up this work and devote his time to painting. Shortly after making this decision he moved to Boston Corners in New York.
Throughout his life Milne sought the peace and solitude of a rural life. In his paintings, Milne explored different viewpoints. He greatly admired the work of Tom Thomson but had little interest in the nationalistic approach of the Group of Seven. His themes range from landscapes to views of towns and cities, still lifes and imaginary subjects. His experiments with different media and changing viewpoints show his interest in the process of painting itself. In 1929, Milne returned to settle permanently in Canada, stopping for brief periods in Temagami, Weston, and Palgrave. He built a secluded cabin at Six Mile Lake, north of Orillia, and spent the next six years painting, for the most part, alone. Milne was interested in 'pure' painting, in "adventures in shape, colour, texture and space" as he called his watercolours of the 1930s and 1940s. The change from the less vibrant drybrush "adventures" to the fantasy watercolours is often attributed to the birth of his only child, David Jr., born to Milne's second wife when Milne was sixty. His young son encouraged him to adopt a new, vibrant and often whimsical approach to his art. Milne spent the rest of his life in Uxbridge, north of Toronto, exploring the Haliburton and Bancroft areas as well as the city of Toronto.
