Frederick Bourchier Taylor
(1906 - 1987) RCA
Previously Sold Works
FREDERICK BOURCHIER TAYLOR
Mexican Woman, San Miguel de Allende, GTO
oil on board
signed with initials and dated 1954 lower right; signed, titled and dated “26.IV.54” on the reverse
13.5 x 8 ins ( 34.3 x 20.3 cms )
FREDERICK BOURCHIER TAYLOR
Self Portrait; Portrait of a Woman/Seated Dancer; Seated Nude
assorted media on paper (3)
“Self Portrait” (charcoal, signed and dated 1953 lower right, inscribed “6.VI.53” lower left- 19.5 x 14 ins); “Portrait of a Woman” (pastel and watercolour, signed and dated 1970 lower right; with a portrait of a “Seated Dancer” on the reverse, watercolour, dated “Sept. ‘58” with size notations lower left- 26 x 20 ins); “Seated Nude” (charcoal, signed and dated 1966 lower right - 26 x 20.25 ins); unframed
x ins ( 0 x 0 cms )
FREDERICK BOURCHIER TAYLOR
Boom Tug on the Ottawa River (Study for Etching); Mex, Mother and Child (Study for a Painting); Tower Bridge, London; Sketch of a Boy
pencil on paper (4)
“Boom Tug on the Ottawa River, Study for Etching” (signed, titled and dated 1935 in the lower margin - 10.5 x 14.5 ins); “Study for a Painting, Mex. Mother and Child” (signed, titled and dated “15.II.63” in the lower margin - 17 x 13 ins); “Tower Bridge, London” (signed, titled and dated “June 1943” in the lower margin - 7.5 x 11 ins); “Sketch of A Boy” (signed and dated “14.XI.40” lower right - 11 x 7.5 ins); unframed
x ins ( 0 x 0 cms )
FREDERICK BOURCHIER TAYLOR
Neil’s Harbour, C.B.N.S.; Reclining Nude; Reclining Nude; Nude Study
assorted media on paper (4)
“Neil’s Harbour. C.B.N.S.” (pencil on paper, titled, dated “14.IX.75” and inscribed with artist notations throughout - 9 x 12 ins); Reclining Nude (pencil and watercolour on paper, signed and dated 1976 lower right; further notations listed in lower margin - 11.5 ins x 16 ins); Reclining Nude (pencil and watercolour on paper, signed and dated 1976 lower right; further notations listed in lower margin - 13 ins x 16 ins); Nude Study (watercolour, signed and dated 1963 lower right; further notations listed in lower margin - 24.5 ins x 19 ins); unframed
24.5 x 19 ins ( 62.2 x 48.3 cms ) ( largest )
FREDERICK BOURCHIER TAYLOR
Indians in the Market; Three Men Chatting/Landscape
assorted media on paper (2)
“Indians in the Market (studies in pencil on paper, titled and inscribed “5 am Cristobal, 2.V.62, Las Casas, Chiapas, Mexico” along the lower edge - 11 ins x 8.5 ins); “Three Men Chatting (study in watercolour and pastel, signed and dated 1962 lower left; dated “July 1962” with size notations in lower right margin; on the reverse “Landscape” in watercolour - 13 x 19.5 ins) unframed
x ins ( 0 x 0 cms )
FREDERICK BOURCHIER TAYLOR
Four Works: Female Nude; Study of a Model at Byam Shaw School; Mexican Mother and Child; Miguel Ramirez Redondo
pencil on paper (4)
“Female Nude” (pencil, signed, and dated “13.II.73” lower right - 11.5 x 17.5 ins); “Study of a Model at Byam Shaw School, London, England” (pencil, signed, titled, dated “I.X.35” - 15 x 11 ins); “Mex. Mother and Child” (pencil, signed, titled and dated “5.VII.68” - 17.5 x 11.5); “Miguel Ramirez Redondo” (pencil, signed and dated “17.VII.72” lower right, titled in the upper and lower margins - 15 x 11 ins); unframed
x ins ( 0 x 0 cms )
FREDERICK BOURCHIER TAYLOR
Centerville Digby Neck., NS., Fish Dressing Factory; Seated Nude/Woman in a Chair;
assorted media on paper (3)
“Centerville Digby Neck., NS., Fish Dressing Factory” (pencil, signed, titled and dated 1962 lower right, dated “30.VIII.52” upper right - 14.75 x 10.75 ins); “Seated Nude” (pencil, signed and dated 1964 lower right; titled, dated “12.X.64” with further artist inscriptions in the lower margin, on the reverse “Woman Seated in a Chair”, watercolour - 16.5 x 12.75 ins); “Seated Nude”, signed and dated 1971 lower right; dated “I.VII.71” in the lower margin - 20 x 13 ins); unframed
20 x 13 ins ( 50.8 x 33 cms ) ( largest )
FREDERICK BOURCHIER TAYLOR
Beaver Hall from Dorchester St.; Fried Potatoes, Fletcher’s Fields, Montreal; Monastary; Children Playing, Montreal
pencil on paper (4)
“Beaver Hall Hill from Dorchester St.” (pencil, signed and dated 1955 lower right; titled and inscribed “Study for a Painting” in the lower margin; titled “27.IX.55” upper right - 11 x 8.5 ins);
“Fried Potatoes, Fletcher’s Fields, Montreal” (pencil, signed and dated 1946 lower left; dated “29.V.46”, titled and inscribed “Study for a Painting” upper right; figural sketching and artist notations in lower margin - 14.75 x 10.75 ins);
Monastary (pencil, signed and dated “24.V.41” lower left, matted);
“Children Playing, Montreal” (pencil, signed and dated 1951 lower left; titled in the lower margin; dated “VII.51” in the upper margin, matted - 11 x 8.5 ins);
unframed
11 x 8.5 ins ( 27.9 x 21.6 cms )
FREDERICK BOURCHIER TAYLOR
Study of a Model, London, England; Self Portrait
assorted media on paper (2)
“Study of a Model. London, England” (double sided pencil sketch, signed, titled and dated 1935; dated “14.X.35” on the reverse - 15 x 11 ins); “Self Portrait” (pastel, signed, dated 1952 and “5.VIII.52” - 22 x 12 ins); unframed
x ins ( 0 x 0 cms )
FREDERICK BOURCHIER TAYLOR
Self Portrait Study with Beard; Study for a Portrait of John Kelly
assorted media on paper (2)
“Self Portrait Study with Beard” (pencil, signed, titled and dated 1939 and “6.IX.39” - 13 x 10.25 ins); “Study for a Portrait of John Kelly” (charcoal, signed, titled and dated 1948 and “26.V.48”, mounted on card and matted - 21.75 x 16.75 ins); unframed
x ins ( 0 x 0 cms )
FREDERICK BOURCHIER TAYLOR
Study of a Sculpture; Portrait of an Architect
assorted media on paper (2)
“Study of a Sculpture” (acrylic, signed and dated “31.III.59” - 19 x 13.25 ins); “Portrait of an Architect (charcoal and coloured pencil, signed and dated “3.V.38” lower right; titled indistinctly in the lower margin; matted - 17.5 x 11.5 ins); unframed
x ins ( 0 x 0 cms )
FREDERICK BOURCHIER TAYLOR
Carnations, Peaches and Plums
oil on canvas
signed lower right; signed, titled and dated 1978 on the reverse
16 x 20.25 ins ( 40.6 x 51.4 cms )
FREDERICK BOURCHIER TAYLOR
Looking Up St. Cecile Street, Montreal
colour serigraph
signed and dated 1957 in the lower right margin
11 x 8.25 ins ( 27.9 x 21 cms ) ( subject )
FREDERICK BOURCHIER TAYLOR
Untitled (Street Scene)
colour serigraph
10.25 x 8 ins ( 26 x 20.3 cms ) ( subject )
Consignments
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