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Previously Sold Works

Artwork by Frederick Bourchier Taylor, Mexican Woman, San Miguel de Allende, GTO
FREDERICK BOURCHIER TAYLOR
Mexican Woman, San Miguel de Allende, GTO

oil on board
signed with initials and dated 1954 lower right; signed, titled and dated “26.IV.54” on the reverse
13.5 x 8 ins ( 34.3 x 20.3 cms )

Artwork by Frederick Bourchier Taylor, Self Portrait; Portrait of a Woman/Seated Dancer; Seated Nude
FREDERICK BOURCHIER TAYLOR
Self Portrait; Portrait of a Woman/Seated Dancer; Seated Nude

assorted media on paper (3)
“Self Portrait” (charcoal, signed and dated 1953 lower right, inscribed “6.VI.53” lower left- 19.5 x 14 ins); “Portrait of a Woman” (pastel and watercolour, signed and dated 1970 lower right; with a portrait of a “Seated Dancer” on the reverse, watercolour, dated “Sept. ‘58” with size notations lower left- 26 x 20 ins); “Seated Nude” (charcoal, signed and dated 1966 lower right - 26 x 20.25 ins); unframed
x ins ( 0 x 0 cms )

Artwork by Frederick Bourchier Taylor, Boom Tug on the Ottawa River (Study for Etching); Mex, Mother and Child (Study for a Painting); Tower Bridge, London; Sketch of a Boy
FREDERICK BOURCHIER TAYLOR
Boom Tug on the Ottawa River (Study for Etching); Mex, Mother and Child (Study for a Painting); Tower Bridge, London; Sketch of a Boy

pencil on paper (4)
“Boom Tug on the Ottawa River, Study for Etching” (signed, titled and dated 1935 in the lower margin - 10.5 x 14.5 ins); “Study for a Painting, Mex. Mother and Child” (signed, titled and dated “15.II.63” in the lower margin - 17 x 13 ins); “Tower Bridge, London” (signed, titled and dated “June 1943” in the lower margin - 7.5 x 11 ins); “Sketch of A Boy” (signed and dated “14.XI.40” lower right - 11 x 7.5 ins); unframed
x ins ( 0 x 0 cms )

Artwork by Frederick Bourchier Taylor, Neil’s Harbour, C.B.N.S.; Reclining Nude; Reclining Nude; Nude Study
FREDERICK BOURCHIER TAYLOR
Neil’s Harbour, C.B.N.S.; Reclining Nude; Reclining Nude; Nude Study

assorted media on paper (4)
“Neil’s Harbour. C.B.N.S.” (pencil on paper, titled, dated “14.IX.75” and inscribed with artist notations throughout - 9 x 12 ins); Reclining Nude (pencil and watercolour on paper, signed and dated 1976 lower right; further notations listed in lower margin - 11.5 ins x 16 ins); Reclining Nude (pencil and watercolour on paper, signed and dated 1976 lower right; further notations listed in lower margin - 13 ins x 16 ins); Nude Study (watercolour, signed and dated 1963 lower right; further notations listed in lower margin - 24.5 ins x 19 ins); unframed
24.5 x 19 ins ( 62.2 x 48.3 cms ) ( largest )

Artwork by Frederick Bourchier Taylor, Indians in the Market; Three Men Chatting/Landscape
FREDERICK BOURCHIER TAYLOR
Indians in the Market; Three Men Chatting/Landscape

assorted media on paper (2)
“Indians in the Market (studies in pencil on paper, titled and inscribed “5 am Cristobal, 2.V.62, Las Casas, Chiapas, Mexico” along the lower edge - 11 ins x 8.5 ins); “Three Men Chatting (study in watercolour and pastel, signed and dated 1962 lower left; dated “July 1962” with size notations in lower right margin; on the reverse “Landscape” in watercolour - 13 x 19.5 ins) unframed
x ins ( 0 x 0 cms )

Artwork by Frederick Bourchier Taylor, Four Works: Female Nude; Study of a Model at Byam Shaw School; Mexican Mother and Child; Miguel Ramirez Redondo
FREDERICK BOURCHIER TAYLOR
Four Works: Female Nude; Study of a Model at Byam Shaw School; Mexican Mother and Child; Miguel Ramirez Redondo

pencil on paper (4)
“Female Nude” (pencil, signed, and dated “13.II.73” lower right - 11.5 x 17.5 ins); “Study of a Model at Byam Shaw School, London, England” (pencil, signed, titled, dated “I.X.35” - 15 x 11 ins); “Mex. Mother and Child” (pencil, signed, titled and dated “5.VII.68” - 17.5 x 11.5); “Miguel Ramirez Redondo” (pencil, signed and dated “17.VII.72” lower right, titled in the upper and lower margins - 15 x 11 ins); unframed
x ins ( 0 x 0 cms )

Artwork by Frederick Bourchier Taylor, Centerville Digby Neck., NS., Fish Dressing Factory; Seated Nude/Woman in a Chair;
FREDERICK BOURCHIER TAYLOR
Centerville Digby Neck., NS., Fish Dressing Factory; Seated Nude/Woman in a Chair;

assorted media on paper (3)
“Centerville Digby Neck., NS., Fish Dressing Factory” (pencil, signed, titled and dated 1962 lower right, dated “30.VIII.52” upper right - 14.75 x 10.75 ins); “Seated Nude” (pencil, signed and dated 1964 lower right; titled, dated “12.X.64” with further artist inscriptions in the lower margin, on the reverse “Woman Seated in a Chair”, watercolour - 16.5 x 12.75 ins); “Seated Nude”, signed and dated 1971 lower right; dated “I.VII.71” in the lower margin - 20 x 13 ins); unframed
20 x 13 ins ( 50.8 x 33 cms ) ( largest )

Artwork by Frederick Bourchier Taylor, Beaver Hall from Dorchester St.; Fried Potatoes, Fletcher’s Fields, Montreal; Monastary; Children Playing, Montreal
FREDERICK BOURCHIER TAYLOR
Beaver Hall from Dorchester St.; Fried Potatoes, Fletcher’s Fields, Montreal; Monastary; Children Playing, Montreal

pencil on paper (4)
“Beaver Hall Hill from Dorchester St.” (pencil, signed and dated 1955 lower right; titled and inscribed “Study for a Painting” in the lower margin; titled “27.IX.55” upper right - 11 x 8.5 ins);

“Fried Potatoes, Fletcher’s Fields, Montreal” (pencil, signed and dated 1946 lower left; dated “29.V.46”, titled and inscribed “Study for a Painting” upper right; figural sketching and artist notations in lower margin - 14.75 x 10.75 ins);

Monastary (pencil, signed and dated “24.V.41” lower left, matted);

“Children Playing, Montreal” (pencil, signed and dated 1951 lower left; titled in the lower margin; dated “VII.51” in the upper margin, matted - 11 x 8.5 ins);

unframed
11 x 8.5 ins ( 27.9 x 21.6 cms )

Artwork by Frederick Bourchier Taylor, Study of a Model, London, England; Self Portrait
FREDERICK BOURCHIER TAYLOR
Study of a Model, London, England; Self Portrait

assorted media on paper (2)
“Study of a Model. London, England” (double sided pencil sketch, signed, titled and dated 1935; dated “14.X.35” on the reverse - 15 x 11 ins); “Self Portrait” (pastel, signed, dated 1952 and “5.VIII.52” - 22 x 12 ins); unframed
x ins ( 0 x 0 cms )

Artwork by Frederick Bourchier Taylor, Self Portrait Study with Beard; Study for a Portrait of John Kelly
FREDERICK BOURCHIER TAYLOR
Self Portrait Study with Beard; Study for a Portrait of John Kelly

assorted media on paper (2)
“Self Portrait Study with Beard” (pencil, signed, titled and dated 1939 and “6.IX.39” - 13 x 10.25 ins); “Study for a Portrait of John Kelly” (charcoal, signed, titled and dated 1948 and “26.V.48”, mounted on card and matted - 21.75 x 16.75 ins); unframed
x ins ( 0 x 0 cms )

Artwork by Frederick Bourchier Taylor, Study of a Sculpture; Portrait of an Architect
FREDERICK BOURCHIER TAYLOR
Study of a Sculpture; Portrait of an Architect

assorted media on paper (2)
“Study of a Sculpture” (acrylic, signed and dated “31.III.59” - 19 x 13.25 ins); “Portrait of an Architect (charcoal and coloured pencil, signed and dated “3.V.38” lower right; titled indistinctly in the lower margin; matted - 17.5 x 11.5 ins); unframed
x ins ( 0 x 0 cms )

Artwork by Frederick Bourchier Taylor, Six Women
FREDERICK BOURCHIER TAYLOR
Six Women

watercolour
signed and dated 1966 lower left; unframed (matted)
19.75 x 20.75 ins ( 50.2 x 52.7 cms )

Artwork by Frederick Bourchier Taylor, Carnations, Peaches and Plums
FREDERICK BOURCHIER TAYLOR
Carnations, Peaches and Plums

oil on canvas
signed lower right; signed, titled and dated 1978 on the reverse
16 x 20.25 ins ( 40.6 x 51.4 cms )

Artwork by Frederick Bourchier Taylor, Looking Up St. Cecile Street, Montreal
FREDERICK BOURCHIER TAYLOR
Looking Up St. Cecile Street, Montreal

colour serigraph
signed and dated 1957 in the lower right margin
11 x 8.25 ins ( 27.9 x 21 cms ) ( subject )

Artwork by Frederick Bourchier Taylor, Untitled (Street Scene)
FREDERICK BOURCHIER TAYLOR
Untitled (Street Scene)

colour serigraph
10.25 x 8 ins ( 26 x 20.3 cms ) ( subject )

Consignments

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