William Goodridge Roberts
(1904 - 1974) Canadian Group of Painters, RCA
Previously Sold Works
WILLIAM GOODRIDGE ROBERTS
Road and Trees
oil on board
signed lower right; titled on a label on the reverse
24 x 28 in ( 61 x 71.1 cm )
Auction Estimate: $3,000.00 - $4,000.00
Price Realized $2,200.00
Sale date: March 25th 2025
WILLIAM GOODRIDGE ROBERTS
Ferme bas du fleuve
oil on board
signed lower right; titled to the framing plaque; titled "Farm, Lower St. Lawrence" to a gallery label on the reverse
25 x 30 in ( 63.5 x 76.2 cm )
Auction Estimate: $3,000.00 - $5,000.00
Price Realized $3,360.00
Sale date: March 25th 2025
WILLIAM GOODRIDGE ROBERTS
Field and Hills, Bright Day, circa 1947
oil on masonite
signed lower right; titled to two gallery labels on the reverse
20 x 24 in ( 50.8 x 61 cm )
Auction Estimate: $2,000.00 - $3,000.00
Price Realized $2,280.00
Sale date: May 13th 2025
WILLIAM GOODRIDGE ROBERTS
Still Life with Green Apples, circa 1947
oil on board
signed lower right; titled to the gallery label on the reverse
19.5 x 29.5 in ( 49.5 x 74.9 cm )
This sale is now closed.
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Goodridge Roberts Biography
(1904 - 1974) Canadian Group of Painters, RCA
Roberts was born in Barbados in 1904 to a prominent Canadian literary family. His father, Theodore, was a poet, novelist, and journalist. Roberts began his studies at Montreal's Ecole des Beaux-Arts but, encouraged by his art-critic aunt, Mary Fanton Roberts, he enrolled at New York's Art Students League. His New York schooling would prove to be a major influence on his career.
During the 1930s, Roberts lived, painted, and taught in Ontario. He was the very first artist-in-residence at Queens University in Kingston. Refusing to incorporate nationalist content into his work, Roberts became recognized for his modernist approach. In the 1940s, Roberts moved to Montreal and continued painting and teaching. He was admired by Quebec's francophone art community who saw in his work a reflection of the modernist figurative tradition from France, known in Montreal as "living art." His works were equally divided into the themes of landscapes, portraits and still lifes; all are textbook examples of each style. The artist's last major retrospective was held at the National Gallery of Canada in 1969. He died in January 1974.