Harold Barling Town
(1924 - 1990) Painters Eleven, OSA, RCA
Previously Sold Works
HAROLD BARLING TOWN
John Lennon; Yoko Ono
pair of lithographs
John Lennon - signed, dated 1969 and numbered 158/200; Yoko Ono - signed, dated 1969 and numbered 114/180; both unframed
20 x 14 ins ( 50.8 x 35.6 cms )
HAROLD BARLING TOWN
Harold Town: 1944-1975 (Ministry of Government Services); In Praise of Hands (Benson & Hedges Salutes the First Crafts Exhibition)
pair of posters
“Harold Town: 1944-1975 (Ministry of Government Services)” - signed, dated 1975 and numbered 57-150 upper right; “In Praise of Hands: Benson & Hedges Salutes The First World Crafts Exhibition” - signed and numbered 27-125 upper left; both unframed
38 x 25 ins ( 96.5 x 63.5 cms )
HAROLD BARLING TOWN
Ontario Place (Recent Paintings, Mazelow Gallery, Dec. 1-Dec. 30, 1970); Harold Town: Popsters and Celebrities
pair of posters
“Ontario Place (Recent Paintings, Mazelow Gallery, Dec. 1-Dec. 30, 1970)” - 37 ins x 26 ins; “Harold Town: Popsters & Celebrities” - 38 ins x 25 ins, signed and dated 1971 lower right, numbered 14-39 lower left; both unframed
37 x 26 ins ( 94 x 66 cms )
HAROLD BARLING TOWN
Harold Town: Popsters and Celebrities; Harold Town: French Post Card Drawings
pair of posters
“Harold Town: Popsters and Celebrities”, 38 ins x 25 ins, signed and dated 1971 lower right, numbered “27-39” lower left;
“Harold Town: French Postcard Drawings”, 38 ins x 25 ins, signed and dated 1971 lower left, numbered “35-100” lower right, a repaired vertical tear along the lower right edge - sold as is; both unframed
38 x 25 in ( 96.5 x 63.5 cm )
Auction Estimate: $300.00 - $500.00
Price Realized $84.00
Sale date: July 23rd 2024
HAROLD BARLING TOWN
Canadian Opera Company: 20th Anniversary Season, 1968; New Town: Enigmas
pair of posters
“Canadian Opera Company: 20th Anniversary Season, 1968” - 43.75 ins x 33 ins, signed and dated 1968 lower right; New Town: Enigmas - 36 ins x 33.75 ins, signed and dated “1-10-To-25-10-1968” upper left; both unframed
43.75 x 33 ins ( 111.1 x 83.8 cms )
HAROLD BARLING TOWN
Muscle Lady
oil on canvas
signed and dated May 9,1984 upper left; signed, titled, dated and inscribed “Painted Studio Bldg” on the reverse; unframed
28 x 20 ins ( 71.1 x 50.8 cms )
HAROLD BARLING TOWN
The Drawbridge of Oceanus
single autographic print
signed and dated 1956 in the lower margin
19.75 x 15.75 ins ( 50.2 x 40 cms )
HAROLD BARLING TOWN
W.C. Fields
lithograph
signed and dated 1970 lower left; numbered 141-149 lower right; unframed
22 x 14 ins ( 55.9 x 35.6 cms ) ( sheet )
HAROLD BARLING TOWN
Soundings: new canadian poets; Harold Town: 1944-1975
pair of posters
“Soundings: new canadian poets”, signed and numbered 6/99 lower right by the artist, sheet size 24.25 ins x 16.25 ins; “Harold Town: 1944-1975”, sheet size 38 ins x 25 ins; both unframed
24.25 x 16.25 ins ( 61.6 x 41.3 cms ) ( Item 1 )
HAROLD BARLING TOWN
New Town: Enigmas; Florence Vale: Recent Drawings & Collage
pair of posters
“New Town: Enigmas” (Mazelow Gallery, April 12-May 10, 1969, signed and dated “1-10-To-25-10-1969” upper left - sheet size 36 ins x 23.5 ins); sold together with “Florence Vale: Recent Drawings & Collage” (Mazelow Gallery, Toronto - sheet size 25 ins x 17 ins); both unframed
36 x 23.5 ins ( 91.4 x 59.7 cms ) ( sheet )
HAROLD BARLING TOWN
Flower Person
lithograph
signed and dated 1970 lower left; numbered 8-60 lower right
20 x 14 ins ( 50.8 x 35.6 cms )
Consignments
We are currently seeking works by Harold Town to be included in future consignment sales.
If you are interested in selling works by Harold Barling Town or want to get our opinion of value click here for more information or submit your artwork for sale.
Harold Town Biography
(1924 - 1990) Painters Eleven, OSA, RCA
A lifelong Torontonian, Harold Town was one of Canada’s foremost abstract expressionists. After graduating from the Ontario College of Arts (now, OCAD University), he worked as a commercial illustrator for many years. In 1954, he became a founding member of the experimental painter’s group, Painters Eleven, a name he coined, himself, along with Jack Bush and Jock MacDonald.
Town’s work went beyond paint, though: he experimented with all kinds of different methods and materials. He often employed a lithography machine to ink his paper in different ways (his single autographic prints). A propane blow torch was occasionally used to burn his paper or canvas. And he particularly loved collage, stating, “it’s marvelous to think of the garbage of our age becoming the art of our time.” According to Gerta Moray, these collages are closely connected to his abstract expressionist painting: “the compositional modes of his collages share the aesthetic of his paintings: they spread out to fill the surface yet are given focus as configurations by areas of drawing in ink or paint.”
Two of Town’s single autographic prints were the first works by the artist to be acquired by the National Gallery of Canada. The NGC then selected him to represent Canada at the 1956 Venice Biennale, along with Jack Shadbolt and Louis Archambault.
By the end of the 1960s, Town had exhibited his work internationally and represented Canada at the Venice Biennale twice. He garnered covers of Maclean’s and Time magazines and became a hero of Canadian art. At one point his name was “synonymous with art in Toronto.” He received an honourary doctorate from York University and the Order of Canada.
In the 1970s, Town faced criticism for remaining in Toronto instead of going to New York to pursue Pop Art and minimalism. Town asserted that these claims by art critics suggested a subservience to the New York trends. He remained true to his roots in Toronto.
In the 1980s, Town returned to figurative painting. His bright colours and simple lines were playful, ironic, and influenced by folk art. In his series, Musclemen, he painted body builders in cartoonish proportions and colours, with giant muscles and tiny heads. Apparently, Town “came upon an international bodybuilding competition and was captivated by the human body performing its muscle-bulging poses as living sculpture.” Moray asserts that this series ironically comments on “the masculine ideal in popular culture.” This assertion is made more interesting when considering that he also painted a small number “Muscles Ladies.”
Four years before his death, Town was given a long overdue retrospective exhibition at the Art Gallery of Ontario. Town’s death in 1990 of cancer was felt profoundly by the artistic community. Pierre Burton wrote “Town was a great artist with an insatiable intellect.” David Burnett, the curator of his retrospective wrote: “Our response to his death must be to begin the process of understanding his achievement as a totality, of facing all of his work in the present” The enticing legacy of his work continues to captivate and intrigue audiences today.
Literature Sources
Iris Nowell, “Harold Town”, Vancouver, 2014, pages 175-78
Gerta Moray, “Harold Town: Life and Works”, Art Canada Institute, 2014 (www.aci-iac.ca/art-books/harold-town)
We extend our thanks to Scarlett Larry, York University graduate student in art history, for writing and contributing this artist biography.
