John MacGregor
(1944 - 2019)
Previously Sold Works
JOHN MACGREGOR
Ripple Time (Multi-colour)
steel and vinyl
signed, dated 2010 and numbered 1/10 on the reverse
11 x 16 ins ( 27.9 x 40.6 cms )
JOHN MACGREGOR
Squeezed Time
steel and vinyl
signed, dated 2010 and numbered 1/10 on the reverse
16 x 14.25 ins ( 40.6 x 36.2 cms )
Auction Estimate: $400.00 - $600.00
Price Realized $200.00
Sale date: February 2nd 2021
JOHN MACGREGOR
Untitled (Abstract Object)
colour serigraph
signed, dated 1968 and numbered 15/30 in the lower margin; unframed
12.25 x 13.25 ins ( 31.1 x 33.7 cms ) ( sheet )
JOHN MACGREGOR
Portrait of a Woman
colour serigraph
signed, dated 1974 and numbered 4/10 at the lower edge; unframed
11 x 8.25 ins ( 27.9 x 21 cms ) ( sheet )
JOHN MACGREGOR
Three Clocks
mixed media battery operated clock
signed and dated 1996 on the reverse
17.75 x 19 x 2 ins ( 45.1 x 48.3 x 5.1 cms ) ( overall )
JOHN MACGREGOR
Untitled (Clock)
mixed media battery operated clock
signed and dated 1996 on the reverse
19 x 17 x 2 ins ( 48.3 x 43.2 x 5.1 cms ) ( overall )
JOHN MACGREGOR
Dutch Girl
colour serigraph
signed and inscribed “A.P.” lower margin
25 x 25 ins ( 63.5 x 63.5 cms ) ( sight )
Consignments
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John MacGregor Biography
(1944 - 2019)
Born in England, he came to Canada in 1948 and attended the Toronto Central Technical School. He held his first one-man show at Hart House Art Gallery, Toronto. Robert Fulford described his drawings and other objects as follows, “MacGregor turns zippers, vegetables and mountains into sex symbols. ‘My purpose’, MacGregor says, ‘is not to make erotic statements but draw analogies with familiar objects which are essentially sexual in meaning.’ What we see in the Hart House show is a free imagination ranging over the whole world of things and people. It makes a fascinating as well as comic spectacle.” MacGregor has held subsequent exhibitions at the Isaacs Gallery, Toronto (1968) (1970), where his work of sculptured wood fantasies (stairways, arcing doors, joined arcing door and chair, split chairs, fur covered chairs and tables, broomsticks and clocks) have been received with mixed feelings by critics and the public.
Source: "A Dictionary of Canadian Artists, Volume 4: Little - Myles", compiled by Colin S. MacDonald, Canadian Paperbacks Publishing Ltd, Ottawa, 1978
